Archive for the 'Review' Category



Review: Mokira – Time Axis Manipulation (Parts 1—3)

Label: Kontra-Musik Records
Catalog#: km018.1—3

Tracklist:

km018.1

A: Time Track


B: Time Track (Silent Servant Remix)

Buy Part 1 here

km018.2

A: Axis Audio


B: Axis Audio (Echospace Model I)

Buy Part 2 here

km018.3

A: Manipulation Musik


B: Manipulation Musik (Redshape Tape Dub)

In three parts, released at different dates, Mokira digs into the atmosphere of dub techno rather than following the traiditonal structures, by processing the details ranging from very organic instruments to samples seemingly taken from erosion.

Even though Mokira manages to create atmospheres very similar to nature itself, the framework surrounding the sound structure feels more industrial or perhaps more mechanical than what would’ve seem more fitting—this approach to the sounds feels more fresh and interesting would it have been in any other way.

Keeping the music close to the origins from which it sonically seems to stem from, the remixes are more focused on bringing them into a much deeper and aged sound. Silent Servant’s remix on ‘Time Track’ goes through the Soundwell District architecture, with a cleaner, but at the same time deeper sound than the original. SS seems to have focused on creating a new vibe rather than expanding Mokira’s atmosphere with the original.

With ‘Axis Audio’ on the second part of three, Mokira expands his sound into a territory which feels nordic as a concept, but actually more rootless in context, where the sound floats more freely without going too far with the “experimental” touch. Nothing against experimenting, but losing to much of an atmosphere in pursuit of a extremely unique one could make the track lose focus and resulting in a lesser version—Mokira has carefully managed to balance on the edge of both, leaving ‘Axis Audio’ interesting, yet at the same time unique enough to keep the listener interested.

Echospace brings ‘Axis Audio’ into a more familiar territory, where a very suitable beat structure collects the fragments from the original, in order to push the track in a different direction.

The last part of the ‘Time Axis Manipulation’ releases, ‘Manipulation Musik’ goes into a very warm, almost summer like atmosphere, with organic textures and a floating ambience which combined, amazingly keeps it all together.

Redshape manages to bring ‘Manipulation Musik’ into a magic state, not reaching too far of his almost blue sound structure but at the same time digs into new territories without losing the mask.

Part 1 and Part 2 are out for sale, with Part 3 being out soon.

Thanks to Kontra-Musik and Ulf Eriksson for this release.

Review: Burial – Street Halo

Label: Hyperdub
Catalog#: HDB013

Tracklist:

A: Street Halo


B1: NYC


B2: Stolen Dog

Buy here

Recommended!

When a person has a special approach to music, the music itself will approach the listener in a special way. For Burial, this means creating tracks that goes deep into their own atmosphere, in a way where his, seemingly, humble personality constantly shines through even in the most wild moments of his tracks.

‘Street Halo’ is the first and main track, taking Burial’s traditional sound into a deeper and perhaps more up to date depth. It has an atmosphere that follows his excellent ‘Untrue’ LP four years back, but ‘Street Halo’ keeps it all in the right direction by a driven beat style that hasn’t been present in any of his previous work—except maybe the almost perfect ‘Versus’ on Planet Mu. The discomfort and melancholy traditionally found in Burial’s music is almost turned into anger, where ‘Street Halo’ feels more solid, rigid and emotionally outspoken in an organized way. This was a pleasant surprise, because following up ‘Untrue’ would’ve almost been impossible without taking a step back and then approach the music from a different direction.

For this three track EP, ‘NYC’ is the one that goes into a deconstructed territory, leaving room for more dirt and sound architectual twists and perhaps functions as a shelter for people loving Burial’s previous work. The depth of ‘NYC’ is incredible—huge effort has been put into it soundwise, where Burial takes his music above the atmosphere in pursuit of the unlocked, yet driving beat structure.

For ‘Stolen Dog’, a more low key attempt successfully keeps the atmosphere in an almost faded out state. Sparsly built structures functions as something concrete as Burial creates samples that goes through the beat in an dreamlike way.

‘Street Halo’ is out on the 28th of March.

Review: Marcelus – EP2

Label: Deeply Rooted House
Catalog#: DRH034

Tracklist:

A1: Sulfuric


A2: Shape


B1: Life Cycle


B2: Mutation

DJ Deep has showcased a interesting take on the split between old school but timeless house through his ‘City to City’ mix series on BBE, but at the same time establishing the sound of his label ‘Deeply Rooted House’, which in some way falls right in between his taste for more mature house music as well as a more reduced techno sense as well.

What is most interesting with ‘Deeply Rooted House’, is that it is a label that seems to work as a platform for people who create their own sound, but doesn’t lack the quality of more established artists—this is a good way to promote music and people who know what they are doing.

For Marcelus’ second EP, it is a record that starts off with a interesting and personal take on the acid, where Marcelus bends the sound to follow a steady beat which pulls things around into all the right directions.

‘Shape’ is a more subtle track, with its twisting and digging sound architecture goes into a territory similar to Klockworks earlier sound, as well as maintaining his own style to it.

On the B1, ‘Life Cycle’ takes the minimalism to a peak which feels more timeless than for ‘Shape’. It feels as if Marcelus had more focus on depth and originality here—two key factors that count well into the groove of this track and will make it stand out from the rest of the EP. The track goes even further into a state of hypnosis, where very few, but carefully crafted elements brings attention and demands a proper pace.

For the last track, ‘Mutation’ takes a more haunting but less subtle approach, yet not as wild as for ‘Sulfuric’. This track is the most experimental on the EP, but does feel a little misplaced, due to it’s direction and groove—which although displays a diversity in Marcelus’ sound, which in return gives the EP more functionality and will probably attract more attention.

The ‘EP2′ is due for release soon.

Thanks to DJ Deep and Deeply Rooted House for this release.

Review: O/V/R – Post-Traumatic Son – Marcel Dettmann Mixes

Label: Blueprint
Catalog#: BP030.3

Tracklist:

A: Construction 1


B1: Construction 2


B2: MDR Version

Recommended!

After seeing Ben Klock doing his own remix EP for the ‘Post-Traumatic Son’ release by O/V/R, as well as Robert Hood and DVS1 doing the previous one, Marcel Dettmann gets a chance to interpet the track in his own style, spanning over three tracks with different approaches.

For the first mix, the ‘Construction 1′, Dettmann goes into a submerged state where the beat drives the hypnotizing track into a state of total confusion—similar to Dettmann’s previous experiments with beat structure and flow, the energy in this track is something special.

‘Construction 2′, the second of three mixes is closer to the more established sound of his residency, touching a little bit to a more broken sound. For a concept of three remixes, this version stands out as it takes the elements from the first mix but combines them in an excellent way.

Dettmann displays his most tripping side with the ‘MDR Version’, where the stripped sound feels more natural coming from him, as it pursues a more experimental and not so steady sound as for the other mixes.

The vinyl version will be out 28th of March.

Thanks to Marcel Dettmann and Addy for this release.

Review: Robert Hood – Alpha (James Ruskin Remix) / The Family

Label: M-Plant
Catalog#: M.PM11

Tracklist:

A: Alpha (James Ruskin Remix)


B: The Family

Both M-Plant and Blueprint has been revived in appreciation to both dj’s and fans, taking their traditional sounds and talent into the state of today. When it comes to the production, they invite new acts for remixes as well as releasing new material which is a perfect combination with labels held in such high regards.

For this release, Hood has invited James Ruskin to remix one of the best tracks from the ‘Alpha’ album-releases, in which Ruskin shakes the track up a little bit by transforming it’s hard and reduced state into a more fully edged techno track – though not so similar to his previous work, but similar enough to combine his and Hood’s sounds into a remix that feels rightly placed and will probably work many floors.

The gold is on the B-side though, where Hood’s new production ‘The Family’ brings hints from the early M-Plant releases, though sounding fresh enough to be placed amongst the excellent ‘Master to Prophet / Clash’ release as well as the ‘Superman / Range’ release (two of his best records in a really long time). ‘The Family’ showcases a very reduced but powerful enough production to contest into one of the best tracks this year.

M.PM11 is out 14th February.

Thanks to Addy and Robert Hood for this release.

Review: Milton Bradley – Do Not Resist The Beat! #06

Label: Do Not Resist The Beat!
Catalog#: BEAT06

A: A Sky Full Of Numbers


B1: The Path To Mathematical Truth


B2: Numerical Analysis

Buy here

Recommended!

For Milton Bradley it comes as no surprise when a new ‘Do Not Resist The Beat!’ gets placed on the shelves and sold out in the same day.

With a label that holds such high standards as Milton’s, placed in the hearts of dj’s after only 6 releases, he is able to extract the current styles within techno and twist it into dark and haunting pieces of wax. After having pushed this sound into different directions, the A-side ‘A Sky Full of Numbers’ showcases a more refined and detailed track, focusing on a almost stepping attitude and combining his way of techno, ‘A Sky Full of Numbers’ is one of his best tracks to date.

On the other side, the same attention to detail goes even further on B1. The almost droning melody keeps everything together at a perfectionist rate, making ‘The Path To Mathematical Truth’ really stand out on a good sound system. For B2, ‘Numerical Analysis’ brings the 12″ into an experimental state, with brewing structures and a somewhat indistinguishable beat which fits perfectly with the rest of the elements and sums up #06 in a clever way.

One of the finest!

Thanks to Henning and Milton for this release.

Review: Ostgut Ton – Fünf

Label: Ostgut Ton
Catalog#: OSTGUTLP07

Tracklist:
A1: Emika – Cooling Room
A2: Marcel Fengler – Shiraz

B1: Substance – Gestalts
B2: Ben Klock – Wolf

C: Shed – Boom Room
D1: Fiedel – Doors To Manual
D2: Cassy – Never Give Up On A Mood Swing
E: Dinky – Twelve To Four

F1: Nick Höppner – ISP

F2: Soundstream – Wenn Meine Mutti Wüsste
G: Boris – Rem
H1: Marcel Dettmann – Scourer
H2: Steffi – My Room
I: Margaret Dygas – For Five

J1: Murat Tepeli feat. Elif Biçer – Hold On
J2: Prosumer – Daybreak

K: Luke Slater – Boom Tang Shwuck
L1: Barker & Baumecker – Drink

L2: Ryan Elliott – Abatis

Recommended!

Some might say that the sound of Berlin is represented by a certain label and club, while others predict the downfall of both the label and the club. Ostgut Ton did what they do better than anyone else at the moment; they have displayed a very honest and non-traditional way of thinking and celebrating their first five years – where a lot has happened with both during.

There’s a point to which a label can experiment without losing a lot of following, which in most cases might not be so good when releasing vinyl these days. Counting in ‘Fünf’ as one of these experiments, Ostgut Ton has set a new level of their sound. By gathering all the people behind the label and the artists that empowers the club with its energy, this collection of tracks is one of the most interesting albums this year.

Emika has recorded ambient and field sounds within the club building, creating a sound library which the artists then use – this gives them a core for equal opportunity to bring their own style into a common factor.

And they did.

There are pieces of scattered memories from all night sessions, dust, killing basses and drums, together with stone cold percussion and intense noise, all mixed into 7 pieces of vinyl. There’s absolutely no limit when inspiration goes into a certain state. With this being in the hands of the proven artists that commit to this project, Ostgut Ton has released one of the most interesting and important compilations of their and our musical journey for this decade.

‘Fünf’ is released on 8th November.

My favorite tracks:

Soundstream – Wenn Meine Mutti Wüsste

Shed – Boom Room

Prosumer – Day Break

Marcel Dettmann – Scourer

Cassy – Never Give Up On A Mood Swing

Review: Iori – Spaciotemporal / Grit (Skudge Remix)

Label: Phonica White
Catalog#: PHONICAWHITE003

Tracklist:

A: Spaciotemporal


B: Grit – Skudge Remix

Buy here

When it comes to spacious and dream-like arrangements and sounds, Japan’s Iori seems to be a future talent. Currently having a small output of three releases, he seems to be able to establish a sound that is deep but yet easy to get in to, in a positive sense.

Floating through small variations of the sonic landscape, Iori’s original of ‘Spaciotemporal’ feels a little empty due to the spacial nature of the track. Listening to it with that in mind, it’s easier to get into it as well as appreciate it, because all details and smaller shifts in sound becomes more impact.

What makes the record special though, is the fact that there’s two different versions of the same style. Skudge has remixed the ‘Grit’ track into a more rugged piece, removing the complexity of ‘Spaciotemporal’ which feels fresh and appreciative. Giving ‘Grit’ more punch and less dwelling, the pieces collected from Iori’s original is taken into a new place – which combines Skudge’s own established style and Iori’s soundscapes in a brilliant way.

Review: DJ Deep – City To City 3

Label: BBE
Catalog#: BBE119

1. Dee Dee Brave – Feel The Breeze (DJ Deep “Mix” Edit)
2. Kerri Chandler – Pong (Ben Klock Remix)
3. Redshape – The Box
4. Traxx – XTC 4 Luv
5. M+M – M+M Theme
6. Mutant Beat Dance – In a Daze (Original Dub)
7. Project Democracy – Is This Dream For Real
8. Glenn Underground – Escuchame
9. Kool Rock Steady – I’ll Make You Dance
10. Marcel Dettmann – Apron
11. K.A Possee – Tell Alexi
12. Gentry Ice – Utilize The Beat
13. Frozen Border – Frozen Border
14. The Minister – 2nd Try Of The 1st Step Into The 3rd Dimension
15. Chicago Music Syndrome – Work It
16. Armando – Don’t Take It (Thomos Edit)
17. Armando – We’re On The Move (Snare Your Ass Off)
18. Claro Intelecto – Signals

Buy here

Recommended!

Review of the digital mix version.

For a really long time, there hasn’t been a house mix that was released as a official release containing so many deadly tracks, being mixed so vibrant and actually making a lot of sense.

Even though there’s been a lot of diverse, fresh-sounding and bullet proof house mixes being released in the last few years, DJ Deep’s latest volume in his ‘City To City’ showcase does something other mixes doesn’t; making the pure feeling of the tracks really stands out in a very unique way.

Featuring both timeless classics, new classics as well some deep dug 12″s, ‘City To City 3′ features tracks that have their foundation based on real, rather than purism. This makes the mix special in the long run as well, by being diverse and showcasing the sound of DJ Deep’s preferred house tracks in a way that is thought out and well respected.

Starting off the mix as a bit of slow building and mood defining selection, DJ Deep keeps it all interesting by carefully selecting the following tracks until the feeling of him actually being able to play whatever he wants, without second doubt shining through.

If this mix wasn’t enough, thanks to DJ Deep’s compilation and crate digging skills, there’s been a new way to get hold of long lost tracks and hidden classics being served through a 2×12″ vinyl sampler and CD.

Be sure to check this mix out, as well as getting hold of the sample vinyls. The tracks are truly essential!

Review: Shed – The Traveller

Label: Ostgut Ton
Catalog#: OSTGUTCD14

Tracklist:

1. STP 2
2. Keep Time
3. The Bot
4. Atmo – Action
5. 44A (Hard Wax forever!)
6. …Can’t Feel It.
7. Mayday
8. No Way!
9. HDRTM
10. My R-Class
11. Final Experiment
12. The Traveller
13. Hello Bleep!
14. Leave Things

Recommended!

Review of the CD version.

Head strong and confident, Shed delivers an album that is far more atmospheric and abstract than his previous work. Even though there has been a big turn in the actual output, the constant feeling of energy has gotten more room from ‘Shedding The Past’, and fills ‘The Traveller’ album up with a lot of inspiration and thought. As told by himself previously, Shed tries to “go back” to his own roots when making these tracks, drawing inspiration without nostalgia from that time.

An important aspect of this album, is the fact that it’s not so much of a “techno album” in a generalized sense, but rather a formula that delivers its emotions in a very advanced way. Combined with the melodies that differ a lot from each other, Shed delivers also advanced beats and structured patterns – something that has also been taken into a new level. Cravling and constant developing excursions are present on the more ambient pieces, reaching highlight with ‘Leave Things’ as well as the important ‘The Bot’ and equally heavy ‘Keep Time’ made to put the emphasis on the beats.

With the broad spectrum of styles and tastes, it’s hard to pin down the favorites. There are always a special moment in every track, there’s always details or shifts in the music to look out for, something Shed has managed to make the listener abide to.

‘The Traveller’ will be released on August 30th.

My favorite tracks:

Leave Things


Atmo – Action


44A (Hard Wax Forever!)

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