Archive Page 2
Tags: dave clarke, fabric 60, fabric london
01. Raudive – Shiver
02. Crotaphytus – Cnemidophorus Sexlineatus – The Mr. Pauli Monster Bass Guitar Remix
03. Tommy Four Seven – Armed 3
04. Marc Romboy vs. Paris The Black Fu – Dark N Lovely – Kenny Larkin Remix
05. Ray 7 & Malik Alston – I.D.F.D.F.I.
06. Cristiano Balducci – Pride
07. Cute Heels – Silence Complot
08. Stephane Signore – Sacrifice – Radical G 2k11 Edit
09. Gesaffelstein – Aufstand
10. Scape One – Time Falls – Dynarec Remix
11. Exzakt – Clarity – Lethal Agent Remix
12. Sync 24 – We Rock Non-Stop – Heuristic Audio Remix
13. Heliopause – Destination Planet Earth
14. Dez Williams – Foreign Object
15. Clatterbox – Coolicon
16. w1b0 – Alternate Sequence
17. Baz Reznik – The Attic
Always going in his own way, Dave Clarke brings a very specific aesthetic into his productions. Leaning to a very “hands on, boots strapped tight”-sound, Clarke gives his this mix his own style and taste maximum headspace.
There is a pursuit of an industrial sound, where Clarke gets deep into a spectrum of repetition and a “dirty” sound. To tread carefully here is vital for not making the mix feel meretricious but rather honest. The first problem with ‘fabric 60′ is shown here. Clarke manages to showcase himself in an excellent way, keeping the mix interesting in moments, but the tracks he has chosen doesn’t feel as gritty, noisy and expressive as his older mixes, and foremost productions.
Keeping the mix soudwise submerged and “deep”, Clarke also manages to keep the lights and cold air style intact—a balancing act between deep beneath and high above, a mixture of two complete opposites. It’s also here where Dave Clarke shines on ‘fabric 60′—but in the long run, it’s simply not enough to keep it all together.
The mix starts off in a organic type of way, where chrystal clear sounds and actually a bit shallow track selection takes place. The problem with this type of opening is the clear resemblance and tedious debate over digital and vinyl dj’s; ‘fabric 60′ is a testament of the rock solid track arrangement and static transitions which occours when two tracks are mixed in absolute perfection. The difference is that no matter what format a dj chooses, it’s always more interesting to hear trasitions that communicates a “in the now”-sense, where everything falls into place and elevates the dancefloor.
Dave Clarke manages to go through a lot of tracks that sounds hand picked for this mix, which saddenly resemble each other in a way that doesn’t give any space. Imagine a air locked chamber, where everything is all good but you would really love to get some air.
Although ‘fabric 60′ isn’t Clarke’s finest moment, he has a style that is personal, tasteful and carefully developed in a way that stands out.
Tags: baby baby, basic principle, floorplan, hood, m-plant, robert, sanctified ep, we magnify his name
A: We Magnify His Name
B1: Baby, Baby
B2: Basic Principle
Light, dark, hopeful and exact—Robert Hood’s new release as Floorplan goes in a lot of parallel directions. The ‘Sanctified EP’ feels as a very personal release from Hood, as a religious theme is center in this release. The aim with Floorplan is to give output to the tracks that Hood believes is in between his usual styles and inspiration—much like an artistic playground of high quality.
With ‘We Magnify His Name’, Floorplan delivers a fresh and interesting take on gospel in general, and house in specifics. A very well made foundation with straight jacked beats, companied with excellent hats and moods, the track floats perfectly and gives a new and special angle of Hood’s sound.
The B1 gives into a jacking and dramatic swing, as the track title is repeated into suspense, release and groove. A very simple but powerful track that does a lot with very little elements. Where ‘Baby, Baby’ gives the lightness of the release a bit more strength, total darkness falls over ‘Basic Principle’. Here, Hood goes straight into a significant amount of depth, where super tight beats fits perfectly beneath a organ driven melody—one of the best Floorplan tracks to date.
Tags: 05, berghain, cd, fengler, marcel, mix, Ostgut
Label: Ostgut Ton
1. Emika – Count Backwards – Marcel Dettmann Vocal Edit
2. Peter Van Hoesen – Axis Mundi
3. Terrence Dixon – Tranquility – Octogen Remix
4. Byetone – Plastic Star – Dr. Walker Remix
5. Tommy Four Seven – G – Regis Remix
6. Marcel Fengler – Thwak – L.B. Dub Corp Remix
7. Secret Cinema – Timeless Altitude – Minneapolis Mix
8. Ratio – Doublefeature
9. Gerd – Time And Space – Duplex Southside Mix
10. Seiji – More Of You
11. Claude Young & Takasi Nakajima – Think Twice
12. Puresque – 001A
13. Ben Sims – Slow Motion
14. Vril – UV
15. Marcel Fengler – Sphinx
16. Skudge – Man on Wire
17. Reagenz – The Labyrinth
18. 20:20 Vision – Future Remembrance – 20:20 Livestyle Mix
19. Convextion aka E.R.P. – Vapor Pressure
Marcel Fengler is always able to present a multi-faced personality in his music. At one moment, the course and energy of his dj sets can suddenly shift, but it’s hard to notice that specific moment. Due to his talent in reading in how the tracks float, the shifting between them is done flawlessly and without momentum—a strength that is very unique for Fengler.
The strength in ‘Berghain 05′ is the uniqueness and feel of it. There is a subtleness that lies as a foundation similar to a real piece of art, where everything comes together in a pace that is hauntingly slow and never loses energy at the same time.
From the start, Fengler puts in a anthem like approach. For the sound of his residency, this is a mark of a very special night there and usually a sign of a well engaged dj or live act. The sign in this case, is the excellent beginning, where Dettmann’s vocal edit has somewhat become one of the tools for this. Following the exclusive ‘Axis Mundi’ from Belgian Peter Van Hoesen, Fengler manages to capture a lot of emotion whis is streamlined into a euphoria—a daring and pushing track that fits perfectly as a beginning.
Continuing on through the mix, a very futuristic attitude is presented, where broken rhythms, gritty sonic architecture and aggressive beat programming sets the mood from Germany’s capital. The special sound isn’t one similar to your regular noise-based techno, but closer to a spiritual journey put into a cathedral like atmosphere.
‘Berghain 05′ peaks in the middle, where all the built up tension gets released. Going through a anthem like parade of tracks, Fengler shows a real strength in keeping the pace. Nearing the end, the mix echoes through as it will never end, a emotion that is closely knit to Fengler’s Berlin residency, and somewhat the point of the Berghain-mix CD releases.
Label: Novel Sound
A: Man or Mistress
B1: Making Headway
B2: No Regrets
For Levon Vincent, the momentum between the releases is used as a strength utilized as a driving force in order to put out tracks that are meaningful to himself as well as to all other’s experiencing them.
A careful ear will hear all the developments in the tracks, where a tighter groove with a little less light on them sets the atmosphere in a much quicker way, as well as going into more interesting states and areas not so present in other releases right now.
For the A side, ‘Man or Mistress’ recalls ‘Late Night Jam’ in one way. Only this time, the anthem-warning is put on a more wild approach and thus making the ‘Man or Mistress’ track feel more unique and perhaps more tasteful. With a very reminiscent texture and sound, Levon goes two steps forward and brings a playful, yet perfectly moody melody into focus, with perfected arrangements and excellent use of effects. Some might regard time and “getting tired of” as a factor to watch out for concerning the A side, which is usually mentioned for a track using a melody in this way and having this type of energy—the other side of this coin is, in fact, that the energy is always there and provides enough memories in order to stand out as other more classic anthems over time.
‘Making Headway’ and ‘No Regrets’ feels as more personal transmissions from the studio to the turntable, as a more cool and laid-back production feels as the outset for them. This is of course not a bad thing, as Levon proves that he is a master of both being able to make music that goes into a extreme party level (‘Double Jointed Sex Freak Pt. 1′, ‘Late Night Jam’ or ‘Man or Mistress’) and also being able to deliver super cool tracks as these.
A focused and much welcomed return on Novel Sound, Levon Vincent shows what he has in store and what he’s capable of when things are on his terms.
The Office #18 with Levon Vincent! We’re so happy to have Levon over for a real session. This is going to be great! Also playing are two residents from The Office, Johannes Björhn and Henrik Bergqvist.
Hope to see you there!